Animations of the Movie Coraline (2009)

Henry Selick did a good job of seven years in creating the animation of film Coraline. That was the first for the Laika stop-motion animation studio and one of the first stop-motion movies to be shot in 3D. The interchangeable mouths with 200,000 facial expressions are employed in this movie with some characters of black-and-white 3D printers, a first.

In Laika studio, 183,000 square-feet of space were used as a studio for the shooting with 150 different studio sets. Caroline leaving the parents and adopting new Mom and Dad who are determined to spoil her is taken with great mesmerizing effect. But the hidden witch within the new Mom is the crucial point. Selick’s used stars are dolls, yet they’re as unique, lively, and soulful as real people. In fact the 28 puppets in different sizes were made for the character of Coraline alone.

The stop-motion technique used, based on sculptured figures rather than drawn images, is already a kind of three-dimensional animation. The glasses you put on are thus not a gimmick but an aid to seeing what’s already there. The snow used in the movie is made out of baking soda and superglue. The sweaters for the puppets were individually stitched by the crew so as to make it lively.

There are many scary scenes and images in “Coraline.” As long as it doesn’t go too far toward violence or mortal dread, a film that elicits a tingle of unease or a tremor of spookiness can be a tonic to sensibilities dulled by wholesome, anodyne, school-approved entertainments.

The loneliness on the face of Coraline Jones was very well done with the vast number of expressions in the library. The costumed mice and Scottish terriers glowing blossoms and giant insects are all innovative. The 3 D printing is superb tool used in this animation movie.

Reference URL: https://www.rottentomatoes.com/m/coraline

https://www.lomography.com/…/119725-stop-motion-animation-coraline

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